Les Partitions
樂譜、上色台座/ 2023-
Music score collection, coloured plinth/ 2023
這件作品的敘事是由31張樂譜封面所構成，透過這些在1850到1950之間的音樂製造，
將帝國殖民經濟體系的文化製造架構顯現出來，也從這個敘事看見殖民主義中對於“他者”概念的建構過程。樂譜的安排猶如一支影片的剪輯，由帝國殖民經濟下的博覽會與慶典展開、十九世紀的工業製造與工人抗爭、殖民軍與拓展疆域時的異地經驗、到經濟作物的供需、人口販賣與交易，以及文明、野蠻和文化刻板印象的製造。
將帝國殖民經濟體系的文化製造架構顯現出來，也從這個敘事看見殖民主義中對於“他者”概念的建構過程。樂譜的安排猶如一支影片的剪輯，由帝國殖民經濟下的博覽會與慶典展開、十九世紀的工業製造與工人抗爭、殖民軍與拓展疆域時的異地經驗、到經濟作物的供需、人口販賣與交易，以及文明、野蠻和文化刻板印象的製造。
The narrative of this piece is constructed from 31 sheet music covers, revealing the cultural manufacturing framework of the imperial colonial economic system through the music produced between 1850 and 1950. This narrative also sheds light on the construction process of the concept of "the Other" within colonialism.
The arrangement of sheet music is akin to the editing of a film, unfolding from expositions and celebrations under the imperial colonial economic system, 19th-century industrial manufacturing and workers' resistance, experiences in foreign lands during colonial military expansion, the supply and demand of economic crops, human trafficking and trade, to the manufacture of stereotypes about civilization, barbarism, and culture.
