紙本鉛筆與水彩（每張約 40 × 38 cm），造形台座（約1450 x 865 x 90 cm），2025

Graphite and watercolor on paper (each ca. 40 x 38 cm), shaped plinths（approx 1450 x 865 x 90 cm）

《391》的命名與作品的意象是從臺中和平區的地籍編號而來，從土地的劃分延伸出族群遷徙與經濟、政治的關係。藝術家以天然植物、經濟作物與物件構成「肖像式圖騰」，並以毒性植物分割肖像的編排，安置在勾勒391地號的輪廓上，引導觀者身體進入與俯視觀看，促使人們重新思考邊界是如何形成和被感知的。

391 derives its title and imagery from cadastral parcel number 391 in Taichung's Heping District, using the delineation of land as a point of departure to explore the entanglements among migration, ethnicity, economy, and political structures. Constructed from natural plants, agricultural crops, and various objects, the work takes shape as a series of “portrait-like totems,” segmented by arrangements of toxic plants. Positioned along the contours of plot 391, these configurations invite viewers to enter the space and observe from elevated perspectives, prompting a reconsideration of boundaries and the ways they are formed and perceived.